IS
IT READY TO SUBMIT?
Terry Burns, agent Hartline Literary Agency
One large hurdle to publication is submitting a good, professional-looking proposal or manuscript to an agent or editor. The object here is not to stand out but to look like an established pro. A submission that appears the submitter does not know what he or she is doing, or that looks like it will take too much work to get ready may receive little or no attention. These rules cover the primary items for the formatting of the manuscript, but the submission guidelines posted by the editor or agent you are submitting to should be the guide. While it is true a manuscript might not be rejected for breaking only one of these rules (unless it's a glaring one), a combination is sure to catch attention. We have to prepare a manuscript in some manner anyway, we might as well prepare it right.
Some of the key provisions are:
CHECKLIST FOR FORMATTING A MANUSCRIPT
CHECKLIST AS TO WHETHER THE WRITING ITSELF IS READY TO
SUBMIT:-----------------------------------------
This was a checklist for judges in a writing contest several years ago and author Deborah Raney found it so helpful that she adapted it for self-editing her own novels...
1. OPENING – Is there a hook
to capture the short-attention-spanned reader’s interest? Does the book start
in the right place, or is there too much backstory?
2. CHARACTERS – Are the hero and heroine vivid, likeable characters? Do
characters have that “something special” that makes them come alive? Are they
described well? Do they change and grow from beginning to end?
3. PACING – Does the pacing flow throughout the book? Does the reader
want to keep turning pages?
4. DIALOGUE – Does the dialogue sound natural and realistic? Does the
dialogue build characterization and move the story forward?
5. SECONDARY CHARACTERS – Are the secondary characters believable? Do
they provide a valid addition to the story?
6. SETTING – Is a time and place established? Is the setting easy to
picture without taking over the story?
7. POINT OF VIEW – Is the POV for each scene wisely chosen? Are the POV transitions
smooth and important? Does the writer avoid head hopping?
8. STYLE – Is the author’s style unique and appealing? Does she have a
voice all her own?
9. CLICHÉS – Does the writer avoid clichés in plot, characterization,
dialogue and narrative? (This doesn’t mean tried and true plot devices can’t be
used. But they need to be done in a fresh way that makes you want to read on.)
10. Would you recommend this book to a friend?
Some basic word count
guidelines:-------------------------------------------------------------
Chapter book
(6-8 yr) 5-25,000 words
Middle Reader
(8-12) 25-40,000 words
Young Adult
(12-18) 40-75,000 words
(middle reader
and YA kids like to read about characters a couple of years older than they
are)
Novelette –
7,500–20,000 words
Novella 20-30,000 words 80-120 pages
Short Contemporary 50,000-60,000
words 200-240 pages
Long Contemporary 70,000-80,000
words 280-320 pages
Short
Historical /Mainstream 90-100,000
words 360-400 pages
Romance
novel 90-100,000 words 360-400 pages
Long Historical/ Mainstream
108,000-120,000 432-480 pages
* These are
ballpark figures and the submission guidelines for a particular publisher
should be the final word on the matter.
On first time authors publishers tend to want between 80-100,000
words. A person submitting above what they are looking for, should consider
that each 10,000 words over the guideline is a 10% increase in print costs, and
publishers are not into paying more money on unproven writers.